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2020年新加坡拍卖精品推荐------乾隆年制粉彩马蹄瓶

来源:软广作者:管理员 日期:2020-06-13 18:15
乾隆是清代封建社会发展的鼎盛时期。在督陶官的管理下,景德镇御窑厂规模庞大,每年烧造各种瓷器都在数十万以上,无论是在工艺技巧还是装饰艺术都已达到了炉火纯青的地步。而粉彩是乾隆彩瓷的主流,官窑和民窑都大量烧造。除了白底粉彩外,还有各种地色的粉

 

乾隆是清代封建社会发展的鼎盛时期。在督陶官的管理下,景德镇御窑厂规模庞大,每年烧造各种瓷器都在数十万以上,无论是在工艺技巧还是装饰艺术都已达到了炉火纯青的地步。而粉彩是乾隆彩瓷的主流,官窑和民窑都大量烧造。除了白底粉彩外,还有各种地色的粉彩瓶。
 

乾隆粉彩有一个独有的特征,即器物口部及底部都施松石绿釉。松石绿釉浅淡光润,釉面犹如粥皮,由于是一种低温彩釉,釉面常常带有细小的纹片。除以粉彩绘画为主,还常加绘料彩、金彩或黑彩,或与青花五彩、斗彩并施于一器。在装饰方法上出现多种色地“开光”粉彩,如红、黄、蓝、绿、紫及多种色釉为地,可达十多种。乾隆粉彩利用粉彩粉润柔和的质感,用粉化的各种彩料仿制各种工艺品,能准确地表现出所仿之物的色彩和质感。主纹是缠枝花,形象是将传统的牡丹花、宝相花或莲花的花与叶变形,仿佛西洋花卉。纹饰中也有古时人物。乾隆粉彩的造型工艺都是精益求精,很少出现夹扁或歪塌现象。乾隆粉彩轻巧、秀丽,基为蓝地,透光性好。对着光看去,象彩云追月,若隐若现,披光含雾;动中有静,美不胜收,令人陶醉。由其看出,此粉彩花瓶出现的时间已经比较长,十分具有收藏价值。
 

The Qianlong dynasty was the heyday of the development of feudal society in the Qing Dynasty. Under the supervision of the Tao Taoguan, Jingdezhen's imperial kiln factory is large in scale, firing more than hundreds of thousands of all kinds of porcelain every year, whether it is in craftsmanship or decorative arts. The pastel is the mainstream of Qianlong colored porcelain, and both the official kiln and the folk kiln are fired in large quantities. In addition to pastels on white, there are also various pastel bottles.

Qianlong pastel has a unique feature, that is, turquoise green glaze is applied to the mouth and bottom of the utensils. The turquoise green glaze is light and lustrous, and the glazed surface is like porridge skin. Because it is a low-temperature color glaze, the glazed surface often has fine grains. In addition to the pastel paintings, paint colors, gold colors or black colors are often added, or they can be combined with blue and white and bucket colors and applied to a single device. In the decoration method, there are various colors of "lighting" pastels, such as red, yellow, blue, green, purple and various colored glazes, which can reach more than ten kinds. Qianlong pastels use the pastel powder to soften the soft texture, and use various powdered materials to imitate various crafts, which can accurately show the color and texture of the imitated objects. The main pattern is entangled branches, and the image is to transform the flowers and leaves of traditional peony flowers, treasure phase flowers or lotus flowers, like western flowers. There are also ancient figures in the decoration. The modeling techniques of Qianlong pastels are all striving for perfection, and there are very few signs of flattening or crumble. Qianlong pastel is light and beautiful, with a blue ground and good light transmission. Looking at the light, like the colorful cloud chasing the moon, looming, covered with light and fog; there is stillness in the movement, beautiful and fascinating. It can be seen from this that this pastel vase has been around for a long time and is very collectible.

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